J. Nathan Matias Creative Portfolio, December 2010
Philadelphia Fullerine (documentary)
Philadelphia Fullerine (research)
Comparing Spatial Hypertext Collections
Tragedy in Electronic Literature
Ethical Explanations
Operational Media Online
Syntagmatic Browser
Tinderbox Web Viewer
Truth, Trust, and the Textual Camera
Web Art Science Camp London 2010
E-LitCamp Boston 2009
Accordion for the World
The Hacktatus: Wittgenstein Design Project
Academic Integrity Marketing
Literary Choice in Interactive Fiction
Non-Portfolio Academic Work
Emberlight: Visual Notes Online
Scaling for kgb's Super Bowl Television Ad
kgb Multiroom Web Chat Interface
Dr. Johnson: A Rapid Prototyping Framework
Dressipi Sibyl
Harbour Coffee Online Sales Interface
Elizabethtown College Admissions
Etown.edu Information Architecture
Texperts and the Knowledge Generation Bureau
Performance Testing & Instrumenting Web Applications
kgb Web Application Interface Integration
Workstation Status Dashboard
Back of the Envelope
Design & Art
Swift-Speare: Statistical Poetry
Stretchtext Authoring System
Recital: Notes from an Itinerant Mind
Exhibit: Abolitionism in Britain
Sculpture: Read for the Sky
Visual Summaries Project
Design: Competetive Debate
Radio Show: Echoes of America
Design: Edward Tufte at Intelligence2
The Normative Decisionmaking Model
Card Storytelling Software
Projects with Tinderbox
Libyan Higher Education Documentary
World University Documentary Prototype
The University Lives Collection
The Ministry of Stories
Timelines for Citizen Case Management
Cambridge Union Society E-Voting Policies
Truth, Trust, and the Textual Camera
October 2004
refereed academic hypertext about nonfiction on the web

I have mixed feelings towards this hypertext about nonfiction form on the Web, which I presented at Rose-Hulman's 10th anniversary of the Web conference: WWW@10.

"What will web creative nonfiction look like?" is the driving question of this hypertext essay. It includes analyses of:

  • Two museums
  • Several book-length creative nonfictions
  • Television & film documentaries
  • Several nonfiction websites

Looking back, I appreciate its breadth and love its rhetorical innovation. I cringe at the low quality of its analysis. Nevertheless, I can see that creating this paper has profoundly shaped the later development of Philadelphia Fullerine and the World University Project. It also gave me the confidence to work on the Antislavery Exhibit in Cambridge.